From The Vault:

Volume 4 Number 3 – Summer 2024

A NOTE FROM YOUR DISTRICT HISTORIAN

Greetings, friends of the Illinois District!

I hope summer is treating you well and that those of you inundated with the “cicada” invasion of 2024 (as I was) have survived and are finding some time to relax and enjoy the warm weather.  

It is with bittersweet emotion that I send out this edition of “From the Vault.”  This past May, we lost a giant in the Illinois District – Joe Sullivan.  Joe was a three-time district quartet champ, chorus director, arranger, past president, IDEA Trustee, ABE winner, founder of the QCA, and the list goes on and on.  

As a member of my historical committee, he was invaluable at “filling in the blanks” when I needed information about those who had gone before us in this hobby.  I shall never forget the first time I really got to know Joe – when he graciously provided the services of the Chicago News quartet for my first Youth in Harmony festival back in 1998.  

I never met anyone who had such interest in, or devotion to, the goings-on in the district.  Yes, Joe was a unique individual and if he ever disagreed with you, he let you know!  But he always had the interests of the district at heart and I shall miss our weekly phone conversations, whether it was to offer advice, answer my historical questions, or just check up on how things were going in my neck-of-the-woods.  

I offer this newsletter as a tribute to Joe, highlighting him both in the main article as well as in the QCA spotlight, with one of his three district champ quartets, the Tin Pan Allies.  I had intended on writing this newsletter while he was still alive, and get his feedback on it. 

He never read it…he lived it. 

Godspeed Joe, and thanks.    

Rich Hansen 

ILL District Historian 

Joe Sullivan

Barbershop Icon

(adapted from the QCA archives)

Joseph Sullivan was born on May 28, 1935 in Chicago.  His first connection to barbershop was in college and it could be said that Joe’s bladder got him into barbershop!  He walked into the men’s room at Loyola University one summer day in 1954 and discovered four men singing barbershop harmony.  Fascinated by the sound, he stopped to listen and when the tenor had to leave, Joe was invited to take his place.  The four liked the sound of their voices together and soon entered the Loyola Talent Contest, taking first place and calling themselves The Privy Council.  

In 1955, he and two of the members of the Council (Bill Brander and Jim Maher) teamed up with Bill Maher and formed a quartet called The Eristochords, placing 5th in the district that year.  A rival quartet named the Up ‘N Atoms also had its sights on winning the district and was going through a personnel change.  Jim and Joe joined forces with Thom Hine and Tom Felgen and the group formed the new Up ‘N Atoms quartet in 1956.

The next year, when Thom moved on from the group, Warren “Buzz” Haeger stepped in and the legendary Four Renegades was born!  However, it was a coaching session with Lyle Pilcher (see FTV Spring ’22 issue) that ultimately created the recognizable sound – Lyle moved Buzz to tenor, Joe to lead, and Jim to baritone.  The group competed in 1957 and won the district championship (see FTV Summer ’22 issue).  For Buzz and Joe, the new voice parts suited them, but not so with Jim Maher.  Business and personal obligations forced Jim to depart the group, however it wasn’t long before the others found the baritone they needed – Jim Foley.  With the new personnel and new voice parts, the quartet began its climb, and took 2nd place in International at Kansas City in 1962.  The next year, the quartet came in 4th at Toronto and despite a very busy performance schedule of chapter shows, Joe found it difficult to remain in the group and balance his personal life.  Upon his departure, the Renegades chose Ben Williams and eventually took the gold in 1965.

Joe returned to the district stage with his second champion quartet, Avant Garde, in 1967 (See FTV Summer ’21 issue).  Singing with Bob Meredith (later Doug Miller), Joe Warren, and Dick Reed, Joe earned 5th place medals in 1968 and 1969.  After about a ten year gap, Joe was back at it again, this time with Don Bagley, Bob Briedert, and Doug Wehrwein.  Known as the Tin Pan Allies, the group won the district in 1981 after qualifying to compete at International in Detroit earlier that year (See article in this issue’s QCA section).  In the late 1990s, Joe filled in the baritone slot when the Chicago News quartet revived for a brief time.  Joe was one of the very few people to have medaled at International in two different voice parts.  

Joe was a long-time member of the Arlington Heights and Northbrook Chapters.  He earned a gold medal when he performed with Northbrook at the 2001 International contest in Nashville.

Joe also found success in not only arranging, but directing.  He was the assistant director of the Arlingtones chorus under Doug Miller as well as the primary director of several Sweet Adelines choruses based in Region #3 beginning with the Illinois Valley Chapter. 

Joe became associated with Sweet Adelines (Region #3) in 1965.  With no previous director experience, he soon launched the Illinois Valley Chapter into second place in his very first competition.  He repeated that accomplishment the next year, and in 1967 took his chorus to the Region #3 championship.  Over the course of the next decade, Joe could be found directing choruses to championships and medals with groups from Ottawa, Lake County, and Joliet.  

On the administrative side, Joe served the district over the years as Area Counselor (1972), and Metropolitan Division VP (1993-94) before moving into the EVP position in 1995-96.  From 1997-98, Joe served as District President.  Without question, Joe’s biggest legacy to the district was his creation of the “Quartet Champions Association” (QCA) in 1960.   He served as the group’s first president and returned to serve in that capacity over much of its history.  In 1996, he was named the fifth recipient of the coveted QCA Music Man Award.

Upon his “retirement” as district president, Joe did not slow down.  On the contrary, he served as an IDEA Trustee, joined the Historical Committee, and moved into the district’s Youth Outreach Committee as chairman, where he began planning high school quartet competitions around the state.  In 1998, at the request of Rich Hansen and Mac McGlasson, Joe took part in the very first Young Men in Harmony (later called Youth in Harmony) festival held in Mt. Zion, IL.  As an added bonus, his quartet at the time, The Chicago News, traveled to the school and performed for the students at no charge!  In later years, he served as a judge in high school divisional contests as well as a coach at YIH festivals.  Such was Joe’s devotion to encourage barbershop singing among young people.

Joe left us on May 20, 2024, just a few days shy of his 89th birthday.  Few people have been so dedicated to the preservation of barbershop singing and the Illinois District itself.  

For those who remain, Joe’s best advice is echoed in what he said to the QCA members in his final letter as that organization’s president:   

“Keep singing…help the district quartets…and above all, have fun!”   

Well said, Joe.  You’ll be missed.

 

QCA Spotlight

TIN PAN ALLIES (1981)

The story of the Tin Pan Allies goes back forty-five years, when in late July of 1979, Arlingtones chapter members Bob Briedert, Joe Sullivan, and Don Bagley decided to form a quartet.  In their search for the right tenor, Joe reached out to a young, 24-year old barbershopper originally from the South Cook Chapter named Doug Wehrwein.  Joe invited Doug to join the quartet at Bob’s house for a night of informal singing.  The guys had such a good time singing they decided to get together again the next week and make it official.  It was at that second rehearsal that a new quartet was formed with a name that Joe suggested, the Tin Pan Allies.   

Using Joe’s connections, the group received assistance from famed coaches Lyle Pilcher and Jarmela Speta, improving their performance.  Their first competition was in the spring of 1980, placing 4th.  That fall, the quartet jumped up one slot to 3rd.  In the spring of 1981, the Tin Pan Allies qualified for their first international appearance, and came in 19th in Detroit.  That fall, they were awarded district champions.  

For reasons known only to himself, Joe decided to step aside.  Despite pleading from Don, Bob, and Doug, Joe was adamant about departing the quartet.  In replacing the baritone, Doug suggested Dick Johnson, whom he knew as the director of the South Cook Chapter and two-time district quartet champion with The Varieties (1963) and Chords Unlimited (1969).  The group continued singing for two more years, placing 1st in both the spring 1982 and 1983 contests, as well as qualifying for international both years.  At Pittsburgh, the quartet came in 10th, but dropped two places to 12th the next year in Seattle.  

It was around that time that Doug and his wife welcomed a baby son.  Feeling the pressures of being a new parent, Doug decided to step aside from the quartet.  Without a suitable replacement tenor, the quartet agreed to disband.  

Doug looks back on his days with the Tin Pan Allies as special.  “We had so much fun singing and laughing at every rehearsal – always supporting one another in every way,” Doug recalls.  “We loved it when rehearsing at Bob’s house, with his little dog lying on the floor in the center of our circle.  The dog would become quite animated when the chords would start ringing.  We knew we were doing something right when that happened.”  A highlight for the quartet was sharing the stage with current International Champs, Classic Collection, while performing at the Chicagoland Association of Barbershop Chapters (CABC) show on a very cold night in January of 1983.  

After the breakup of the quartet, Don continued singing and would later earn a gold medal with his new quartet, Chiefs of Staff.   A few years later, Dick and Doug reunited and joined George Peters and Lynn Hauldren to form one of the district’s most beloved comedy quartets, Chordiac Arrest.  

Though only together for a few years, this quartet made quite an impression at both the district and Society levels, and helped launch other successful quartets in the years that followed.  We salute our 1981 (once and always) district champions – Tin Pan Allies!

Before They Were Famous

Everyone who’s anyone in barbershop circles knows the incredible popularity of Vocal Spectrum, but did you know that before they were the famous collegiate champs of 2004 and International Champs of 2006, that two of them actually competed in an Illinois District contest?

In August of 2003, a quartet representing the St. Charles, MO and West Peoria Metro chapters entered the fall district contest.  Calling themselves Fired Up, the quartet was made up of Jason Portell (baritone), Charlie Holloway (bass), and future champs Eric Dalbey (lead) and Jonny Moroni (tenor).  

The quartet came in second to Alchemy.  But who knows what would have happened if they had been crowned Illinois District champs that year?  One month later, Vocal Spectrum was formed with Eric and Jonny joining forces with tenor Tim Waurick and bass Chris Hallam.  The rest, as they say, is history…

Celebrating the Mid-States 4

The year 2024 marks a milestone for one of the Barbershop Harmony Society’s most beloved championship quartets, the Mid-States Four.  Winning the Illinois District in 1946, the quartet went on to become International champions just three years later.  Members included Tenor Bob Mack, Lead Marty Mendro, Baritone Forry Haynes, and Bass Art Gracey.  Known for their wild costumes, instrumentation, and comedy routines, the group performed for thousands of people over the course of five decades!  

To celebrate 75 years of their championship, it is appropriate that we delve into the deepest parts of the “vault” where numerous pieces of Mid-States Four memorabilia reside in safe keeping.  One of the most unique within the lot is a $1 bill – which is autographed by all four members!  Dated July 4, 1960, nothing is known about the origins/significance of the bill or why it was signed, but it remains a tangible reminder of the golden years of barbershop and a tribute to one the true “giants” in the quartet champion world.  

Young Guns

All eyes and ears were on the youth at the district’s 2006 spring convention held on April 21-23, in Peoria.  Twenty-four young men among three high school quartets and three collegiate quartets took to the stage and vied for their respective division championships.  Leading off the competitors on that Saturday evening was a group from Glen Ellyn, Illinois named Young Guns.   Representing Glenbard West High School, the foursome was made up of tenor Eric Swanson, Lead Jeff Minkus, Baritone Josh Adams, and Bass Lee Nickelson.  Young Guns took top honors in their high school division that evening with memorable renditions of “Love Letters” and “Sweet Georgia Brown.”  They certainly did the district proud.   

 

Young Guns sing their championship set at the Illinois District Spring Convention – April, 2006

Rainbow's End (1999)

For this issue, we turn the clock back twenty-five years to listen in on a Chicagoland quartet named Rainbow’s End.  Representing the Northbrook, Aurora, and Lombard chapters, the quartet was made up of Tenor Craig Hall, Lead Randy Voss, Baritone Mark Betczynski, and Bass Doug Smith.  Rainbow’s End was popular in the mid-late 1990s, reaching as high as 4th place in district competition in the spring of 1999.   Here for your enjoyment is a live recording of one of their competition songs from that year, “My Honey’s Lovin’ Arms.”

Next Issue: Coming Fall 2024

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