From The Vault:

Volume 5 Number 2 – Spring 2025

A NOTE FROM YOUR DISTRICT HISTORIAN

Greetings friends of the Illinois District!

I hope this newsletter finds you well – spring is among us!

Not only has 2025 brought about a change in district leadership, but also some additions to my historical committee.  With the passing of long-time committee member Joe Sullivan last year, I thought it best to bring in some “fresh faces” to help with the preservation of our district’s history.  Dale Jarvis (Bloomington Chapter) and Tom Kentish (DuPage Valley Chapter) bring a wealth of barbershop knowledge and dedication to the task at hand.  I’m very excited about them joining my team!  And speaking of a wealth of knowledge…I would like to thank historical committee member Frank Fabian for providing some photos, information, and personal recollections for one of the stories in this newsletter.

In this issue, we salute a true quartet and chorus icon, honor a district champ quartet from the golden years of barbershop, and remember a long-gone (but not forgotten) Chicagoland chapter.  Also included is a rare artifact from the 1940s, as well as a retro video recording from the 1980s, and a story about a group of students who sang barbershop for a president.  It’s another trip down memory lane that I hope you will enjoy.

Sing-cerely,

Rich Hansen

George Peters

BARBERSHOP ICON

(taken from the QCA Archives)

This issue’s Barbershop Icon is the legendary George Peters – a consummate quartet man at both the district and international levels, as well as an accomplished arranger, certified judge, chorus director, coach, district leader, and instructor.  

George’s connection with barbershopping came while in high school.  He was singing with a quartet who sought the help of Fred Eastman to accompany them in performing songs from Meredith Willson’s Music Man.  Fred, seeing their potential, invited them to the next meeting of the Southwest Suburban Chapter.  Within thirty days, George was singing in his first quartet competition.  

During his years with the Southwest Suburban Chapter, he sang with the Rhythm Rogues and the Treble Tones.  He also held every office from President on down except for treasurer.  

When George moved out of Chicago, the late Tom Lancaster coaxed him into directing the Chorus of DuPage, the district’s last-place chorus.  In one year, George brought them to third place, while their membership soared to more than one hundred men.  

He auditioned with the Varieties (1963 District Champs), but they folded and formed a new quartet, Chords Unlimited.  The “Chords” represented the district at International their very first time out.  Then they came home and won the 1969 Illinois District Championship.  

Chords Unlimited sang almost 500 shows during their twelve years together, becoming one of the most sought after entertaining quartets of their era.  They made several TV and radio appearances, and sang overseas five times.  Their appearances at International never netted any medals, but then they never “lost” a show!  At one point, George directed the DuPage, Town & Country, and Elgin Chapters while still managing a forty-show-a-year quartet schedule.  

In 1987 he helped form a new quartet, Chordiac Arrest – just for fun, mind you.  But they surprised even themselves when they went to International, placed 9th, and were overwhelmed by several standing ovations and hundreds of show bids.  They won the District Championship that fall and for the next eight years, entertained audiences with their hilarious parodies.   Many of the arrangements used by both the Chords Unlimited and Chordiac Arrest were done by George.  

A charter member of Northbrook’s New Tradition, George served as section leader, music team member, and associate director.  George also briefly served as director of Bloomington’s Sound of Illinois Chorus.  

George joined the Society’s contest and judging team in 1975 and became one of the first judges in the Society’s new “Music” category.  George became a regular faculty member at the annual Illinois District Academy of Harmony (IDAH – now Harmony College Midwest) throughout the 1990s.  He was named the district’s Award for Barbershop Excellence (ABE) winner in 1985 and received the QCA’s Music Man Award in 1993.  

George passed away in 1999 but the legacy he leaves behind in quartetting, chorus singing, directing, arranging, coaching, and teaching is unmatched and will be remembered for many years to come.    

QCA Spotlight

TIMBRE KINGS (1959)

In this issue, we pay tribute to those “lumberjack” district champs – the Timbre Kings.  Formed in the mid-1950s and representing the Rockford Chapter, the group consisted of tenor Jim Marich, lead John Barnard, baritone Bob Meredith, and bass Dick Svanoe.

The quartet’s first competition was in the fall of 1956, at which they received a 3rd place finish.  This was followed by a spring 1957 appearance (4th place) and again in the fall of 1957 (back to 3rd place).  In 1958, the group chose not to compete, but returned the following year.  In 1959, they earned the right to sing at the International in Chicago that summer and in the fall, won the district championship.

Unfortunately, not much is known about this quartet.  The group continued singing together for the next two years, but decided to retire when their tenor, Jim Marich, moved out of state because of job relocation.  Bob went on to capture another district championship with Avant Garde in 1967.  (See FTV – Summer 2021 Issue).  All four members are deceased, with Jim Marich being the last to pass in 2020 at age 95.

While only together for a few years, the group did manage to cut a record, which resides in the archives.  For your enjoyment, we have included their signature “Timbre Intro” as well as one of their popular songs, “When the Red Red Robin Goes Bob Bob Bobbin Along” from that LP recording.

We salute our (once and always) 1959 Illinois District Quartet Champions – The Timbre Kings!

 

The (Beverly) Hills Were Alive With the Sound of Music

The Beverly Hills Chapter of the Illinois District was formed in 1963 by music teacher John Stephens along with Bob Vedder.  The group included several members of Chicago’s Southtown Chapter.  Over sixty men chartered the group, which met in the banquet room of the Beverly Country Club in Evergreen Park, IL.

The new chapter hosted its charter show on Wednesday, November 20, 1963.  Back then, high profile quartets within the district would donate their services to sing on charter shows, and since many had weekend show obligations, it was easier to obtain the talent during the week, hence the Wednesday concert.  The show included the new “Hilltoppers” Chorus, as well as the current district quartet champions Varieties, and guest quartets The Impostors, The Four Renegades, and The Notates from the nearby Gary, IN chapter.

An original member of the group, Frank Fabian, recalls a fun fact that the chapter gave out three door prizes at their first show – actual doors painted red, blue, and yellow!  Thanks to Frank, a live recording of the charter show exists in the district archives, which we are glad to share with you in this issue the opening song and introduction of the new chorus.

Unfortunately, the celebratory attitude of welcoming this new chapter within the district was overshadowed by tragedy.  Just two days later, President John F. Kennedy was assassinated in Dallas, Texas and the world came to a halt as it grieved the loss.

The chorus entered their first competition in 1964 and would be active until 1978.  That year, the chorus joined the Southwest Suburban Chapter to form the Oak Lawn Chapter which lasted until 2001.

Our featured artifact in this issue is a very interesting one.  It was found among items recently donated to the district archives by members of the Aurora Chapter.  It is a 1949 calendar sponsored by the Alton Chapter at a time when the Society was just over ten years in existence.

The Alton Chapter was formed in 1946 and lasted until 2009.  Not much is known about this item, except that above the tear-off months it contains a passage that originally appeared in the Denver Post newspaper at the time.  The passage is a tongue-in-cheek reference to the differing styles of music enjoyed by fathers and their sons during that time period.

The father disapproves of his son’s taste in music, preferring the harmonies of the “old” barbershop songs.  It ends with “Someday you’ll understand.”

The older we get…the more that statement becomes true!

Peanuts & Barbershop

What do peanuts and barbershop have in common, you may ask?  Well, to answer that question, we go back to the fall of 2013 when members of a high school girls quartet and mixed ensemble got an opportunity to sing for a U.S. President.  In September of that year, Mt. Zion High School history teacher and barbershop coach Rich Hansen took his students down to the small rural town of Plains, Georgia upon the invitation of Mrs. Jan Williams, a personal friend to former President Jimmy Carter and First Lady Rosalynn Carter.  Rich had visited Plains a few times before that and had befriended Mrs. Williams, even singing with his gospel quartet at Maranatha Baptist Church, the place where Mrs. Williams and the Carter’s attended every Sunday.

Plains, Georgia holds their annual Peanut Festival during the last weekend of September.  Thousands of folks from all over the United States descend on the little town to shop, play games, visit the Carter historic sites, and sample the (locally famous) peanut butter ice cream.  When the Carters were both alive, one of the highlights of the weekend was the chance for ordinary citizens to see and meet Jimmy and Rosalynn, who took part in the parade as well as book signings.  On Sunday morning, visitors who attended Maranatha Baptist were treated to a Sunday school lesson taught by Jimmy Carter and, after worship, had the opportunity to briefly do a meet & greet with the former president and first lady.

While in Plains, the students had numerous opportunities to show off their singing talents, whether it was strolling down Main Street, performing on the Pullman train that took visitors out to the Carter boyhood home, and even participating in the church service on that Sunday morning.  One of the highlights for the kids was getting a chance to sing “Georgia On My Mind” for President and Mrs. Carter in a private setting after the Sunday crowd had left the church.

The students did some fund-raising for the trip, and received special coaching from both Kevin and Ann Keller before traveling down to Georgia.

Though the Plains Peanut Festival continues to this day, the recent passing of both President and Mrs. Carter makes this trip a unique experience that will never happen again.  As both a history teacher and a barbershopper, Rich still considers this chance to have his students sing for a president to be one of the most cherished and proudest memories of his career.

Backstage Applause (1986)

Representing the Peoria chapter, Backstage Applause made regular appearances at district competitions throughout the 1980s, reaching as high as 4th in 1988.  Although there were several personnel changes in the tenor part, the version highlighted here includes Derek Gilbert on tenor, Joe Krones on lead, Jim Krones on baritone and John Russell on bass.  Joe would later go on to win district championships as a bass singer in 1995, 1998, 2001, 2006, and even an International gold medal in 2011 with his quartet, Old SchoolHere for your enjoyment is a rare video from the spring 1986 contest held in Peoria that earned the group a top-ten finish.

Backstage Applause contest set from the 1986 spring district contest

Next Issue: Coming Summer 2025

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